THE BOYFRIEND

Palace Cinemas across the country are presenting a British Film Festival in November. As well as showing new films, these Festivals often do retrospectives and in the case, Ken Russell’s The Boyfriend, originally released in 1971 is on show. Susan, a musical lover, was eager to see it and I, a Ken Russell fan from the days of The Music Lover and Women in Love, joined her along with a friend, Fiona, visiting from Melbourne. I thought I’d seen it but I’d clearly only seen a live stage version. This film, over two hours long, is…..and I’m hard pressed to find the right word but here goes: demented. Fiona and Susan loved but I just sat there shaking my head at the ridiculous over-the-top Busby Berkeley-ness of it all. At what seemed like 10 minutes intervals, Russell would move into a dream sequence including people moving in wheelchairs filmed from above making patterns, elves and toadstools, people in Roman togas running over bridges. Bonkers. Twiggy, the female star, was just wide eyed and passive most of the time, sighing after her lost love. Valadek Sheybal who was in Women in Love plays a one dimensional Hollywood producer and even the wonderful Glenda Jackson makes an odd uncredited experience.

 

Roger Ebert, the film critic for the Chicago Sun-Times when the show was first released hated it: https://www.rogerebert.com/reviews/the-boy-friend-1972 although the LA Times was a little kinder when a new uncut version (the one we saw ) was released in 1987: https://www.latimes.com/archives/la-xpm-1987-06-19-ca-4877-story.html

 In some ways, I’m glad I saw it but it’s never going to be on my must watch again list.

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