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THE REST OF ADELAIDE

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In between buying cars and attending a graduation and festival and fringe shows, we fitted in some other activities. They ranged from weeding and mulching Sebastian's overgrown and somewhat unloved rose garden to catching up with friends and exploring the Biennale at the Art Gallery of SA plus visits to other loved places (the Jam Factory, T'Arts in Adelaide Arcade, the Space Theatre) and visiting new places such as MOD and Carrick Hill. The 2026 Adelaide Beinnial of Australian Art: Yield Strength wasn't particularly to my taste. "Yield Strength" is the "the stress level at which a material begins to deform plastically, meaning it stops stretching elastically (snapping back) and starts to permanently change shape." I confess (as is often the case for me when it comes to contemporary art) I just didn't quite get it. Why for example were there a number of Prudence Flint's works there amongst metal and videos? I have always loved her work so it was ...

GRADUATION DAY

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  The reason for our trip to Adelaide was Sebastian's Graduation ceremony on Wednesday 18 March for his Degree in Doctor of Philosophy on the topic of "Investigating the scope and drivers of the global exotic pet trade in endemic Australian repitles and amphibians." He is now the best educated member of the family because I've never had the capacity to do what's required for a PhD: concentrate on one single topic for years.  He looked glorious in his black floppy hat with gold tassels and his shiny red silk array over a black academic gown in his procession through Bonython Hall at the University of Adelaide. Making his mother and his aunt very proud. It was also great to see him being congratuled by students he had taught and his peers. It was interesting to think back to past graduations. I missed my undergraduate ceremony as I was working in Canberra but I did attend my arts management post-graduate course one in Adelaide. All I remember of that event is being ...

BIG WHITE CARS and smaller plasma yellow ones

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Why is it that when we don’t want a big white car to hire, we end up with one? On our last few trips to Adelaide to visit Sebastian, we have wanted something large enough for 3 people, 3 big suitcases, and a cat and all its accoutrements for our adventures into rural South Australia. But this time, on a visit for Sebastian’s graduation, we were only going to be pottering around the city so we specifically booked a small car. But no. We were upgraded to the large Haval SUV. Its only advantage is that it’s a hybrid so we’re not burning up too much fuel. Why do people buy these massive cars for commuting in the city?  It’s a weekend of cars. Sebastian had a bingle in his 20 year old jeep (no humans damaged) and his insurance company have written it off so he and Susan went off traipsing around the car yards of Adelaide looking for a replacement. I didn’t volunteer to join them because my track record of buying second handcars is abysmal right up until my current one. There was th...

SINGALONG

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Although Susan and I arrived in Adelaide at the tale end of the Fringe and the Festival, we did manage to squeeze in some musical events that appealed to everyone’s taste - albeit very different shows. The first was the Victorian band Bush Gothic. A trio of talented multi-skilled musicians, they create interesting arrangements of both traditional Australian/Irish folk songs such as Black Velvet Band and Blood on the Wattle but also variations of contemporary songs such as John Williamson’s True Blue.  Usually, their arrangements are beautiful to listen to but not easy to sing to but they did get us on board for Great Southern Land.  I love the way they describe themselves: “Bush Gothic wander through the dankest, weirdest corners of the trad song books and emerge as post modern slash anti establishment slash folk feminists.”  We then wandered to the other side of Adelaide, to Gluttony in Rymill Park, and saw a very different show: Broadway off Broadway. Initially, the per...

THE GREAT GATSBY

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  I’ve never really appreciated F. Scott Fitzgerald’s  The Great Gatsby as “the best American novel ever written” but I was willing to take a chance on hearing a spoken word version of it in the Adelaide Festival. All 8 hours of it (starting at 2pm and finishing at 10.15pm with some breaks). Gatz was developed by the New York based Elevator Repair Company in 2006 and has been touring, with many of the same cast, on and off ever since. I went with no particular expectations having given myself permission to leave at any time if I was finding it tedious. And I didn’t. I stayed. I’m not in the same five star category as the Guardian reviewer but I did find it an absorbing work. https://www.theguardian.com/culture/2026/mar/15/gatz-review-the-great-gatsby-performed-in-eight-and-a-half-hours-of-attentive-immersive-joy?CMP=Share_iOSApp_Other The most impressive element of the work was the performance by the lead actor Scott Shepherd playing the office worker who starts reading “The G...

QUOKKA TIME AGAIN

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Because Rottnest is so popular, you have to book 9 months in advance without really knowing what you're going to be doing then let alone what the weather might be like. We managed to get a three bedroom bungalow looking out over Geordie Bay in the hope that it would be warm and that Sebastian might be able to join us. He was far to busy with work and box-lacrosse referring in Melbourne and so we offered the spare room to our friend, Barry. He goes to the island whenever he gets a chance and so was a good guide to places and beaches that we hadn't explored in the past.  The weather forecast was rather dismal with temperatures in the low 20s and windy conditions but it was never enough to put us off either swimming or drying off lying on the sand afterwords. Geordie is one of Barry's favourite spots and I can see why. Walking distance to four good beaches, balconies looking out to the water, a shuttle bus to the main settlement, and a little supermarket and a cafe nearby. We ...

HISTORY THROUGH A DISNEY LENS

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Luckily, I'm still on a few Opening Night lists although these days, because I don't expect to be, by the time the invitation arrives, I've already bought my ticket. But this wasn't the case with Disney's Anastasia presented at the Crown Casino theatre. I confess, it's not a musical I would have chosen to go to but when the opportunity presents itself, why not.  We started the night with some very glittery cocktails, alcoholic and non, crafted specifically for the show with the rich purple created by the addition of butterfly pea flower. And this helped us get through the night. It's not that there was a problem with the cast which featured the amazing octogenarian Nancy Hayes, the long limbed comedienne Rhonda Burchmore, and some younger folk with great voices. It's just that the music is rather bland. On the way home, we listed to a "best of" musical soundtrack on Spotify and I was reminded that what makes a great musical is the specificity o...